Hellfire

Good work, though I must admit, I really think they botched it with Claude Frollo regarding making him the worst of the worst (I can name off the back of my hand plenty of people, fictional or real life, who were a LOT more evil than Frollo was in that movie, even with his being made darker, like, I don't know, Kefka Palazzo, Pious Augustus/Phillipe Augustine, Dr. Weil, the Joker (well, most incarnations anyway), Maleficent in the 1959 original (she's explicitly called the Mistress of All Evil. That alone would make it pretty clear she's far worse than Frollo by any measure, as she'd do genocide as a hobby to amuse herself with, since I doubt she'd have that name if she didn't do every single evil act in the book and then some with absolutely no ounce of good deeds at all), Karl Marx, Jean-Paul Sartre, Stalin, Mao Zedong, the Marquis de Sade. Personally, had I been writing that movie and I wanted to make Frollo as evil as one can get, I'd write him EXACTLY like either Phillipe Augustine or even Galenth Dysley/Barthandelus if I'm feeling particularly twisted, to such an extent that he doesn't fear hell at all and if anything embraces it heartily). Still, better written than Gaston from Beauty and the Beast or Ratcliffe from Pocahontas, at least.

Though I must ask, assuming Wesker IS in the Palace of Justice in Paris, France like in the film, why the heck is he even there in the first place before hallucinating Jill in the flames (I personally would have gone with Sheva Alomar, since she bore a closer resemblance to Esmerelda)? I don't recall him being the minister of Justice of France. Maybe he broke in to steal some vials of one of the viruses that are kept in lockup?